Tagged: Brexit

Update and Things You Might Like To Read – IV

 

It’s been a little while since I’ve updated the blog. This is not, I should point out, because I’ve not been writing. It is simply that I’ve not been writing here. Over at the Weird Science DC Comics site, Jim Werner has been kind enough to allow me to post some indie reviews and has asked me to do some reviews of DC crossover titles too. As Jim is such a nice chap and, consequently, is a man to whom it is remarkably hard to say ‘no’, I’ve been more than happy to oblige. Those reviews will turn up here eventually, but I’ve been a little dilatory in transferring them over, for which failing I can only apologise. In addition, I’ve made my podcasting debut on the Weird Science behemoth of a podcast which can be downloaded here. I appear about eight hours in. (Well, I did warn you.) I’ve also got a slightly longer section on their latest podcast. If you want to hear me discuss the Batman/Shadow and Planet of the Apes/Green Lantern crossovers, that’s the place to go (6 hours and 20 odd minutes in for that one).

 

Apart from that, I’ve been reading some stuff you might be interested in.

 

RaptorsI suppose the big new thing I’ve been reading is comics in translation, specifically European comics. Every now and then Comixology has a sale and I bite. Recently, I finished Raptors which is a four volume series about renegade vampires and the two New York cops that become entangled with them. Written by Belgian creator Jean Dufaux and with art by Enrico Marini, the story starts very well with some wonderfully atmospheric moments. The Raptors are a brother and sister team of vampires determined to wipe out the ‘mainstream’ line of vampires who they believe have become ‘soft’ and ‘corrupted’, trading their predatory nature for the ability to walk in sunlight and, essentially, behave like human beings, albeit horribly selfish ones. This is a pretty good premise and the story is indeed rather entertaining. The final volume suffers from being a bit rushed and, consequently, a bit confusing. Lenore, the main character, makes some decisions that are a little difficult to reconcile with what’s come before but, on the whole, this is stylish stuff. The title does contain some nudity and is really for readers aged 18 and over.

 

Also on Comixology, I’ve acquired Warren Ellis’ original run on Stormwatch which is a useful touchstone when considering his current run on The Wild Storm for DC. The political sensibility is definitely there, but the early stories are still very much rooted in the gaudy action of the 90s/early 00s superhero genre. They are, arguably, the superhero genre taken to their logical conclusion once you factor in real world politics. Henry Bendix may seem to be well-placed to identify and fix the world’s problems, but his interventions do have unforeseen consequences, particularly his questionable decision to include Rose Tattoo on the team. What’s happening with The Wild Storm at the moment is much more subtle and much more character-based. The ready-made structure of the Stormwatch series just isn’t there and, as a result, relationships between characters and factions are less clearly defined, all of which makes for a more engrossing and enjoyable read. There’ll be a review of issue 3 of The Wild Storm up shortly, incidentally. If you’d prefer, you can see it at the Weird Science site now.

 

9780008215170Other stuff I’ve been reading is Tim Shipman’s All Out War which offers a very engaging insight into the shenanigans around Brexit. It is not especially interested in the pro and con arguments for staying in or leaving the EU; what it does do is trace the political manoeuvrings behind the scenes and the (some would argue disastrous) steps Cameron took that ultimately ended his career. I’m only a dozen or so pages in, but already it’s proven to be very enlightening. If the ‘inside story’ of one of the biggest political decisions/catastrophes/upheavals of the last few decades is your cup of tea, this is worth checking out. It’s exceptionally readable, well-researched (Douglas Carswell’s dad was apparently the man on whom the character of Dr Nicholas Garrigan in Giles Foden’s The Last King of Scotland was based. Fancy) and rather fascinating.

 

Well, that’s me done for now.